Archive for January, 2009

With deepest sympathy…

Wednesday, January 21st, 2009

The entire Daddy’s Junky Music family sends our condolences out to Zakk Wylde and his family at the passing of Zakk’s father Jerome F. Wielandt.  Our thoughts and prayers are with you.

Donation’s in Mr. Wielandt’s name can be made to:

DEBORAH HEART AND LUNG CENTER
200 Trenton Road
Browns Mills, NJ  08015
(609) 735-2916

_______________________________________________________________________________________________

Zakk has issued the following statement:

Jerome Francis Wielandt

October 28, 1919 - January 19, 2009

My father, Jerome F. Wielandt who served as an inspiration to me and my music throughout my life, passed away Monday evening.  His influence on my life and the life of others has motivated me in ways that have been both unexpected and profound.  My father spent his youth as a New Jersey orphan who was subsequently drafted to serve his country.

As a World War II veteran, Jerome participated in the events of D-Day at Omaha Beach as well as Normandy. Jerome was not only a father to myself and my younger sister Amy, he was a loving husband to my mother Joan Byrne Wielandt (who passed in December 1991). He also leaves behind six grandchildren, Hayley Rae, Jesse, Kenneth, Jared, Alexandra and Hendrix.

My father meant more than the world to me, and his passing will no doubt influence my direction in life and career as this new year continues to unfold.

Lastly, 1919 Eternal was dedicated to dad and is my legacy to this unique individual I owe nearly everything to.   I shall let that album stand the test of time to his greatness.

SDMF Pops

Zakk Wylde

Winter NAMM - Day 3

Monday, January 19th, 2009

No celebrity sightings today of the Brian Wilson caliber. That’s not to say that the show floor isn’t full of famous musicians, it is. I saw Keith Emerson, Billy Sheehan, Kerry King, Frank Gambali, Leland Sklar today and those were just the people I recognized. However, the most interesting person I met was at the Martin booth and he’s a vibrant, gregarious guy in his early 60s and I don’t even know if he plays an instrument. His name is Don Oriolo and he heads up Felix the Cat Production, Inc., a graphic design company that among other things manages the Felix the Cat images world-wide. You want to put Felix the Cat on a guitar (Martin did) or a $300 sequined sweatshirt, Don is your man. He’s got this gig because Don’s father was the artist who created Felix along with Casper the Ghost and Chaquita Banana. That would be a full time job for most of us but Don also spends a good deal of his time using the Felix image to bring joy to under underprivileged kids here and around the world. Very interesting guy, oh, and Martin is producing 15 and 16 series of guitars again, after a slow down last year. This is good news to Martin fans as these models are priced right and very popular. Here are the OMCE Korina and the OMC-16E Maple, both new this year and absolutely gorgeous.

From there it was off to the Korg/Marshall/Vox. This year’s show seems to be full of two kinds of vendors, those who have reacted to the soft last quarter and lackluster holiday sales by showing few or any new products (part of the problem here may be that many factories in southern China are closing, leaving some American importers with nothing to import!) At the same time, many of our important suppliers are taking the opposite tack and have come to the show with guns blazing, metaphorically, of course. Korg/Marshall/Vox is one of those companies. The entry level MG series of Marshall amps have been reworked cosmetically and electronically so they look and sound better than ever before. These should be in the stores soon, check them out. Here’s the massive array of new MG product.

Marshall has also aggressively reprised some existing product to make it available to more guitar players. Here’s the DSL100 head/MC412 cabinet half-stack (the cabinet is the same as the 1960A, except it’s made of MDF instead of marine birch, different tolex, etc but same great sound) and the whole thing sells for $1299.99, an incredible deal.

Vox has also retooled its line, the new VT line is already in your local Daddy’s, but the AC4TV is a brand new pretty face that will cause some excitement. Rereleased after a nearly 50 year hiatus, a new attenuator allows the AC4 to retain that full tube (EL84) glorious tone at 4, 1 and even ¼ watt output levels! This is a practice/recording amp that will please the ear, the eye and the wallet simultaneously. Look for it soon.

Looking for an all-tube head that looks great, sounds even better and will stand up to your busy schedule. Here it is, the Night Train (NT15H). Weighing less than 17 pounds and powered by a pair of EL84s, this amp will fit the bill whether you need chime like clean tones or the warmest overdrive. Comes with rugged carry case and it’s affordable.

Korg is not to be undone and showed us the Micro Korg XL. Now with the sound engine from the OASYS, 8 voices and a 16 band vocoder (for better resolution) more is possible.

The new engine is capable of producing multiple forms of synthesis including PCM waveforms. There’s a USB port and Sound Editor is included. A cool retro look and a new engine lurking under the hood makes the XL an instant winner.

Next on our list was Alesis/Numark/Akai (consolidation lives!), another company that came loaded for bear. It looks like they’re finally ready to release the Protrack, a device that will instantly turn your IPod into a hand held digital recorder. Originally show at the Summer 08 show, the Protrack has the XY pattern built-in mics, additional mic inputs and switchable limiter you supply the IPod and you’re ready to record for just $199.99.

The Jam Dock is a practice dock for your IPod. It has guitar inputs, headphone jack and allows you to easily integrate any IPod into practice situations or live performance, just $99.99.

Alesis has also introduced three new cables, the Guitarlink, Miclink and Linelink which allow you to input any guitar, mic or line level source directly into your computer.

Akai will soon be releasing the APC40 an Abelton Live control surface at $399.99 and two new controllers with MPC pads, the MPK49 and MPK25 at 429.99 and 299.99 respectively.

Not to be outdone, Numark introduced the Omni Control, a professional DJ performance system with audio I/O and the Stealth Control, a performance DJ control deck. Both machines come with Traktor 3 LE (DJ software) and MixMeister Fusion Live and go for $349.99 and 269.99 respectively.

The grand-daddy of all controllers is the brand new NS-7. Built for Serato ITCH (included) and compatible with Scratch LIVE libraries, this monster includes two direct drive motorized turntable platters with classic and modern torque settings and will control most MIDI applications without requiring a mouse or keyboard. It will be priced at $1299.99.

We ended the day at QSC but I can’t tell you about our visit, we’re sworn to secrecy. All I can tell is that there is a new lightweight, high wattage series of powered speakers to be released this year that will make you want to buy a new PA. That’s all I can say and that may be too much.

This was a great show, interesting people, new products and a chance to see old friends from the industry. Keep your eyes open, new product will be arriving very soon and we’ll be announcing its arrival on the website.

Winter NAMM – Day 2

Monday, January 19th, 2009

The folks back in the Northeast are freezing while we are experiencing unseasonably warm weather here in southern California. We don’t talk about the sunshine and mid-80s temps when calling home, we’ll be there soon enough. There were two incredible sights today at the show. While at the Gibson booth, we stumble upon a seemingly impromptu Brian Wilson concert. So here we are 15 feet away from the founder of the Beach Boys and universally recognized musical genius as he graces us with “California Girls” and “God Only Knows”. When he and the back up band slide into the vocal break in “God Only Knows” and we get to hear up close the four harmony parts that Brian had originally arranged, you understand that the “genius” moniker is well earned. Astounding.

The second incredible sight was at the annual Monster Cable Awards ceremony (Daddy’s was recognized as Most Monsterous Regional Pro MI dealer, thank you crew and customers) and the Monster himself, Noel Lee gets up in front of the crowd and calmly announces that Circuit City has filed for Chapter 7 (final liquidation) and that he’s just lost 700 customers! He goes on further to state that he’s optimistic about the future of his company and that they will rededicating themselves to his remaining accounts. Wow. And we saw some new product

Digitech debuts the Vocalist VL3D, a 3 part vocal harmony generator in a table top format that works on chord recognition from a keyboards or any other midi device. It’s perfect for table top recording enthusiasts!

The floor multi-fx processors is alive and well with the birth of the RP1000. It loops while giving you access to an incredible array of stompbox and 60 effects, easy to read display, rugged construction and if that’s not enough, Cubase LE4 recording software is included. Coming soon to a Daddy’s near you.

We next went to Taylor and caught the brand new T-3, here’s the Bigsby model with a quilted maple top. Powered by two Taylor Style 2 humbuckers with coil-splitting functionality, push/pull control knobs, there’s an nearly endless selection of tones on a guitar that plays and looks like, well, a Taylor. Pretty nice.

There’s a lot of nice people at this show, but to meet some really nice people, we suggest you drop into see the folks at Godin. Let’s do that, shall we? Here’s Mario Biferalli, Vice President of Sales for Godin, holding one of their latest, the Seagull Performer. This cutaway, solid wood top, back and sides sounds great and plays like a dream. It will be appearing shortly at Daddy’s for just $689. Try pricing any other North American made, solid wood guitar and you’ll find you just can’t touch this Seagull.

Fender has joined the Uke Revolution and will be issuing these cool, Koa, Fender headstock ukes in the very near future, definitely the coolest ukes around.

The long anticipated “Road Worn” series is about to be unleashed on an unsuspecting public. Made in the same Mexican factory and the Standard Series, these guitars have the look, feel and sound of a 30-40 year old Fender. For less than a thousand dollars, you can have the near experience of a guitar costing many times that much. This series will feature, the 50s P Bass, the 60s J Bass, the 60s Strat and the 50s Tele. Here’s the 50’s Tele and details of the body and neck and then the Road Worn 60s Strat.

We closed the day at Peavey. Boy, have they been busy. The Peavey IPR power amps, fueled by proprietary chips, will feature a watts to dollar ratio unheard of any time before.
The IPR 1000 is 500 watts a side and will only cost you $299.99. There will be a complete line of amps available by mid year in all power configurations and everyone will be a bargain.

Peavey also has greatly increased the power in the Tour TNT and Tour TKO bass combo amps. These amps have a great pedigree dating back to the ‘70s and ‘80s but now come with an all new look, new light weight while coming in at 600 and 400 watts respectively at well under $500. They’ll be tough to beat. Finally, we saw our first Peavey 3120 guitar head, an American made, 120 watt, all tube monster (4-EL-34s and 4- 12AX7s) with three footswitchable channels and it comes in at $999.99. Another winner from Peavey.

One more day to go, should see some more great new gear tomorrow. Stay tuned.

Day 1 – 2009 Winter NAMM Show

Monday, January 19th, 2009

A difficult last quarter and an unusually slow Christmas season failed to dampen the spirits at the 2009 Winter NAMM Show in Anaheim, CA. Perhaps it was the clear blue skies, 80 degree temperatures, hoping for a brighter future or the human propensity to be whistling while walking past the graveyard, but many in the crowd seemed to be in a good mood. While everyone was aware of the problems of ’08 and some of the dire predictions for more trouble in ‘09, there were plenty of people at the show, it appears to be business as usual. Here are a few examples of gear you’ll be seeing at Daddy’s in the very near future.

Samson Technologies, parent company of Samson, Hartke and Zoom, is still riding high on the success of the Zoom H2 and H4, the most popular hand-held digital recorders. The next generation of these recorders is the H4N. It has upgraded XY pattern built-in mics, external mic inputs for the H4N’s four channel recording capability. This rugged new package will sell for 349.99.

The Samson brand has introduced the Go Mic, a USB mic perfect for laptop recording (clips right onto the screen). Its compact design, switchable polar patterns and ability to deliver a high quality audio signal makes the Go Mic a real bargain at $49.99

While meeting with the Samson folks we were serenaded by bassist Victor Wooton, who was appearing on behalf of Hartke amps.

Off to Tascam, where they introduced two new hand held digital recorders. The DR-07 comes with a 2GB SC card so you can begin recording immediately and has a mic/line input that will accept external audio signals. Value priced at $199.99.

The DR-100 is an upgraded model and will feature 4 built-in mics, an XLR input and a built-in speaker for easy playback. Price is to be determined.

Our final stop of the day was at Schecter where there’s always something exciting cooking for guitar players. We were not disappointed. The C-1 Blood Moon comes with a set neck, Blood Moon inlays, Duncan Designed HB-102s and a through body bridge. It should come in about $699.99, a striking instrument.

Gregg Burns, national sales manager for Schecter and Daddy’s Boston alum, also recommended the Hellraiser Solo 6. A traditional single cut guitar with set neck, “Gothic Cross” inlays, EMG active 81T w/89 and tap on both volumes, shown here in Black Cherry.

Another Burns favorite is the Omen Extreme FR, features Schecter Diamond Plus pickups and a licensed Floyd Rose Tremelo. Here it is in Trans Ocean Blue.

We’re hoping to see these and many other new Schecter selections in the next few months.

So, that ends Day 1, some cool new product, just enough to whet our appetites for Day 2.

Day 3

Sunday, January 18th, 2009

Another NAMM show has come to an end - at least it has for me - I am flying home today. Yesterday/Saturday, which is generally the craziest day of NAMM, certainly lived up to its reputation! The rockers were out in full force….check it out…

NAMM Day 2

Saturday, January 17th, 2009

Today was an insane day - the back to back to back meetings & attending more NAMM University sessions were tough enough, but doing this while attempting to walk through the Anaheim Convention Center on a Friday made it completely nuts! There were TONS of people in the house today - more rockers in attendance means more people!

So far, the meetings with the Artist Relations folks have been going great - it looks like we are gearing up for some exciting clinics and events this year with many new artists coming through Daddy’s! Obviously we will keep you all posted on these as they get booked.

There were some familiar faces in the crowd today and some that well…I’m not sure how to describe them :)

First up - VH1 villian Lacey from Rock Of Love (her 15 mins. aren’t up yet? - just asking)

An impromptu mini Dramagods reunion - Chris and Nuno Bettencourt, Kevin Figg, Steve Ferlazzo and Joe Brown

Music Drives Us Carla Tardiff hanging with Chris Bettencourt, who oddly enough, was wearing his Music Drives Us T-shirt

And this fine fellow calls himself “Elvis Simmons” - is it wrong that I love him!?

And clearly Hartke let the cat out of the bag today with regard to Victor Wooten - check out the crowd that gathered inside the Hartke booth!??!

One more day for me tomorrow - I am a little lighter on meetings so I plan on taking TONS of pics!  Until then….

NAMM Day 1

Friday, January 16th, 2009

Well, Day 1 of NAMM has ended (at least for me - there are a ton of shows going on as I write) and what a day it was. There are 9 of us from the Daddy’s crew out here, each with a different agenda. From our buyers looking to get the hottest new gear in our stores, to our Boston drum guru Mike Tocker looking specifically for the coolest new drums to me finding the newest artist on the clinic scene. There are NAMM University sessions to be taken in at the Idea Center, product demonstrations at virtually every booth, artist meet & greets, concerts and $17 hamburgers - this is NAMM. There is so much going on all day every day, that it is impossible to get it all done in one day (hence the 4 day show). Below are just a few shots of what was happening today.

And here’s a little scoop for you, bass guitar virtuoso Victor Wooten is now a HARTKE endorser! This will be publicly announced tomorrow, but I figured I would let the cat out of the bag now :)  This is HUGE news and hopefully will put Victor back at a Daddy’s near you SOON!

A few of us will be blogging daily, so keep checking back!

Stu Hamm showing off his new acoustic basses!

Pearl tells me that the new NINJA will revolutionize the pedal!

Fred “Daddy” Bramante with guitarist’s Bruce Bennett and Gary Hoey

Greetings….

Wednesday, January 14th, 2009

from sunny California! The Daddy’s crew is here for the 2009 NAMM show (we have actually been here for a couple days) so we have adjusted to the time change and we are ready to go! We will be blogging daily with info and pics from the show - from the latest in gear, to rocker sightings and everything in between - so make sure you check in often!

Ibanez and Tama 09 Sneak Peek

Monday, January 12th, 2009

The Winter NAMM show will open this Thursday (January 15th) and all the new gear that’s been kept under wraps for months will now be exposed to the world, but never let it be said I can’t keep a secret. Try as they may, I still haven’t given up any of the details on all the new Marshall and Vox amplifiers that were revealed to us back in November. (See Daddy’s Blog “Amplifiers Are Upside Down At Daddy’s”, November 28th)
Because we were sworn to secrecy and even though the world will know about everything in just a few days anyhow, this information has been secure with me. But those aren’t the only bits of musical instrument intelligence that are floating around my brain. Just last month, Paul Rindone, Lew DiTommaso (our product managers) and I were secretly flown down to the Hoshino (parent company of the Ibanez and Tama brands) headquarters in Bensalem, PA. Okay, so we flew down there on a Southwest flight, but we did go “Business Select”! Anyways, the 2009 Ibanez and Tama gear we saw down there on that day was “top secret” and its existence could not be spoken of to anyone. The pressure of keeping these secrets is getting to be too much. I’ve got to tell my secrets to someone and it’s going to be you but what ever you do, don’t tell anyone you saw these pictures. Hopefully, you won’t crack under the pressure like I did. Here’s a sampling of the great new 2009 Hoshino line-up, don’t tell anyone!

Let’s start with Tama drums. One change that you’ll see this year will be a 12” china cymbal and holder will be included for free in every ImperialStar kit. Here’s a picture of Terry Bissonnette, drum product manager for Hoshino, holding the very precious Warlord Titan Snare drum. (#2) The shell is 1.0 mm Titanium steel with the exclusive Resonant Sound Edge. This drum cracks and thunders all at the same time and comes with a hardshell case. At a selling price of 1899.99, this snare is for serious drummers only.

Another cool innovation from Hoshino is the StageWorks drum kit. With 2 floor toms and one mounted tom, StageWorks will be a series of limited edition drums, each series featuring different bold graphic and drum coverings that will appeal to today’s extreme drummers. StageWorks drums should be available in a few months.

Ibanez also introduces some exciting new models, here’s the RF-3570 in Laser Blue (also available in Candy Apple) with a 5 piece Maple/Walnut Super Wizard Prestige neck, jumbo frets, Edge Zero bridge and three, count ‘em, three DiMarzio pickups. There’s an Air Norton in the neck position, True Velvet in the middle, and the bridge pickup is the Tone Zone. Slated to be selling for $1499.99, this guitar is scheduled to be available in a matter of weeks.

Another killer RG Prestige guitar, the RG1550MPPN in Poisoned Pumpkin (!), same 5 piece neck with Edge Pro bridge and the Ibanez V7, S1 and V8 pickups. Should be in the stores soon at $999.99.

Here’s a change of pace, the ORM1 (as in Omar Rodriguez Lopez of “Mars Volta”) shown here in white, a very retro design but this guitar rocks with an ACH-BL pickup, the Gibraltar II bridge and just a volume control. A rock n’ roll animal, this axe will cost you just $499.99 and should be here in a couple of weeks.

How about this AF105SMEE Artcore Custom with the Exotic Explorer finish, Spalted Maple body, custom inlay and Custom 58 pickups? It is a striking and beautiful instrument and will be $999.99, coming soon to a Daddy’s near you.

The Ibanez acoustic line gets a tune up this year, lead by the A-300 EVV, a quilted maple cutaway beauty, loaded with the Fishman Sonicore pickup, Aero Blend preamp with built-in mic, notch filter and onboard tuner. Here’s a front and back view of the A-300 with Vintage Violin high gloss finish which really highlights the highly figured body. It will be here very soon at $599.99.

We’d be remiss if we didn’t include at least one Ibanez bass, so we chose the SR300 in Pearl White. At $299.99, this bass is full of features (five piece SR4 neck, Ebonol fretboard, B100 bridge, EXF-4 pickups and a Style Sweeper 3-band eq) and value. Expected delivery is January ’09.

Finally, we present the RGA42FMTGB (Transparent Gray Burst) just because it’s beautiful. The mahogany body is capped with a flame maple top and this RG is powered with Ibanez LoZ pickups while everything is anchored by the Gibraltar Standard bridge. At $499.99, we expect the RGA42 to be very popular.

This guitar, as with all the other Ibanez and Tama gear should be at your favorite Daddy’s stores within a few weeks time. I’m pretty excited about the prospects for the new Hoshino year and I know you will be, too. Just do me one favor, act surprised the first time you see this stuff, just for appearances sake.

The gig of a lifetime….

Sunday, January 11th, 2009

From the Bloomington, IN Herald Times newspaper…

Aronoff ready to play star-studded Obama celebration

By Mike Leonard
January 11, 2009

Kenny Aronoff has played so many pressure-filled and prestigious performances that few things intimidate or rattle him.

Last month’s Kennedy Center Honors, where The Who, George Jones, Barbra Streisand, Morgan Freeman and Twyla Tharp were celebrated? Nice gig, but another day at the office, as it were, for the Bloomington-based musician.

Next Sunday might be a little different. The former John Mellencamp Band member knows that he’ll be sitting behind the drum kit for a nationally televised concert on HBO called “We Are One: the Obama Inaugural Celebration at the Lincoln Memorial.”

He knows President-elect Barack Obama and Vice President-elect Joe Biden will be there. He knows thousands will gather outside the massive and impressive Lincoln Memorial in Washington, D.C., for the concert. And he knows he’ll be playing with, as the Presidential Inauguration Committee phrases it, “some of the biggest acts in the world of entertainment.”

But Friday afternoon, driving on a Los Angeles freeway on his way to a recording session, he acknowledged by phone that he still didn’t know exactly who he was going to be backing in the concert. At that point, he only had a list of songs to learn. “I’m learning ‘Pride in the Name of Love’ (a U2 song), so what does that tell you? We may be doing ‘Pink Houses’ (Mellencamp), so what does that tell you? We’re doing a James Taylor song, so, like those other songs, you say to yourself, ‘I can only imagine one person singing that.’

“I’m learning Stevie Wonder’s ‘Higher Ground.’ Who might sing that?” Aronoff asked. The only performer he actually knew he’d be backing was Bruce Springsteen, and that was only because Springsteen himself had already announced to the public he’d be playing the star-studded Obama celebration.

“It’s insane!” Aronoff exclaimed. “It’s going to be really, really intense because there is so much work to be done beforehand.”

Even at that, Aronoff isn’t intimidated.

“You dream to get a gig like this. If you’re into that sort of thing. And I am,” he said.

For Aronoff, learning the songs is merely the first step. He’ll arrive in Washington on Wednesday and begin rehearsing with the backing band on Thursday. On Friday and Saturday, the 10-15 featured artists will rehearse with the band, and at that point, any number of musical changes and modifications might take place. Aronoff expects to be revising his musical charts deep into the night each night.

“One of the reasons this will be so heavy is that it’s going to be on television, and on television, you are literally working with seconds. If you are not right on it with timing, and I mean right on it, you have ads that people are paying millions of dollars for, cued up and ready to go. So you have to bring every song in on time,” Aronoff said.

To add to the pressure, musically, the drummer is the guy driving the bus. It will be up to Aronoff to start every song exactly on cue, keep a perfect tempo and end every song exactly on time. And there will be a producer, a stage director, a musical director and others operating under exactly the same, demanding scenario.

“It’s unbelievably complicated,” Aronoff said. Fortunately, the Obama team hired the legendary filmmaker and producer George Stevens Jr. to coordinate it all.

“He’s the one who started the Kennedy Center Honors and he’s the best there is,” Aronoff said. “He has a team that is awesome. They can put anything together, they’re such professionals.”

Aronoff was chosen for that same reason — his professionalism and breadth of abilities.

“At times like this, I think back to my time going to school at IU, and the jazz guys were saying, ‘Why are you playing classical, too?’ The classical guys were saying, ‘Why are you playing jazz?’ And all of them were saying, ‘Why are you playing rock and roll?’ I’ve always liked all of it, you know, so I have to say, I stayed on that path, and it’s paid off big time. Even within pop music, I can play rock or reggae or hip-hop. Whatever. So maybe there’s a lesson in that; I don’t know.”

Aronoff said that he’s been told that the final rehearsal sessions will be recorded in case extremely inclement weather hinders the live performance.

“Again, with television, you can’t have any excuses,” he said. “They have their time slot; they have their advertising; the show has to go on. So we could actually be playing on stage with our prerecorded rehearsal blasting through the loudspeakers. Nobody wants to play that way, but if it’s 10 degrees and your hands are freezing, you have to have a backup plan.

“The main thing for me to do is my job. I’m like a running back in football. My job is to concentrate on getting the ball into the end zone. To do my job. At the end of the day, you look at the scoreboard.”

The veteran drummer is confident he can handle the task handed to him. But he did acknowledge feeling a sense of awe at what the event means.

“It’s the inaugural concert for President-elect Obama. It’s history. It’s a once-in-a-lifetime event. So, yeah, that is something you can’t help but know it’s not just another gig,” he said. “I’ve played with all kinds of famous musicians and entertainers, and so I’m used to that. But the president of the United States? That’s a little out of my league.”
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From all of us at Daddy’s - Kenny, you ROCK! Have a great gig!